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Dating almost certainly from the 12th century, the church was elevated to the status of a Collegiate Church in 1407 by decree of Ladislaus of Anjou-Durazzo, King of Naples.
Even today, a careful observer can identify fascinating elements reminiscent of late Neapolitan Gothic architecture. Perspective techniques create an impression of greater depth, suggesting that the structural elements of the central nave may have belonged to the original church, before being adapted to suit the late Baroque taste of the 18th century. Over the centuries, side chapels from different periods were added to the central nave.
The church retains its 18th-century Neoclassical façade, divided by four Doric pilasters supporting a broad entablature. Alongside it rises an elegant 37-metre bell tower, designed by Pietro Magarelli and completed in 1731. Crowned by a striking onion-shaped dome, it forms a distinctive landmark visible from several kilometres away.
The simplicity of the exterior contrasts with the richness of the interior stucco decoration. The church is divided into three naves, with the two side aisles providing access to chapels that are veritable treasure troves of art.
Among the most significant works are the polychrome stone sculptures dedicated to the Madonna di Terra Rossa and the Trinity by Renaissance artist Stefano da Putignano; important paintings and wall decorations by Giuseppe De Mattia, Alessio D’Elia, Nicola De Filippis, Nicola Gliri and Nicola Colonna; and a remarkable collection of wooden works, including the 18th-century organ, choir loft and pulpit, as well as the 17th-century statue of Saint James by the Neapolitan artist Aniello Stellato.
The church also contains a chapel used as the mausoleum of the Moles family. Designed in a late Renaissance style, it features a finely decorated altar in local stone with niches containing polychrome stone statues dating from a later period than the works of Stefano da Putignano, yet clearly influenced by the master and his school.
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La pietra che prega. Stefano da Putignano e il Rinascimento pugliese
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